<?xml version='1.0' encoding='UTF-8'?><entry xmlns='http://www.w3.org/2005/Atom' xmlns:gsx='http://schemas.google.com/spreadsheets/2006/extended'><id>http://spreadsheets.google.com/feeds/list/rr27AX2XrzvJpB7pKxW1D8g/od6/public/basic/clrrx</id><updated>2009-06-29T13:53:12.174Z</updated><category scheme='http://schemas.google.com/spreadsheets/2006' term='http://schemas.google.com/spreadsheets/2006#list'/><title type='text'>David Tames</title><content type='text'>questionsessiontitle: How does social media figure into the future of documentary film?, questiondiscussiondescription: What is the future of Documentary Filmmaking in terms of production, distribution, and viewing, and how does Social Media figure into it? Documentary film has always been a niche media form with a niche audience, and a vital part of our democracy presenting alternatives to mainstream media. How can documentary filmmakers find their audience through social media? What have filmmakers been doing? What are some good examples? What can filmmakers learn from bloggers, podcasters, videobloggers? Will the documentary film survive the transition into the internet age?</content><link rel='self' type='application/atom+xml' href='http://spreadsheets.google.com/feeds/list/rr27AX2XrzvJpB7pKxW1D8g/od6/public/basic/clrrx'/></entry>