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BritGrad 2008Programme

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THURSDAY, 19 JUNE

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08.00-9.30LobbyRegistration

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09.30-10.00HallWelcome from committee chairs. Bookseller talks. Presentation of the Routledge ABES Awards.

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10.05-11.00HallPanel Session (1A)10.05-11.00LoungePanel Session (1B)

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1A: The Psychology of Place in Shakespeare and Massinger1B: Dynamics of Power

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Moderator: Lizz KettererModerator: Sarah Olive

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Jennifer SuratosUniversity of British ColumbiaThe Villainous Cyprus: Dialectics in Shakespeare's OthelloSarah LewisKing's College LondonWedding without the Bedding: The dramatic and social functions of delayed consummation in early modern english drama and society.

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Laurence PublicoverUniversity of BristolConversion to Islam: Shakespeare's Antony and Cleopatra and Massinger's The RenegadoSanner GarofaloUniversity of WarwickMen are not Gods': Piety and Female Submission in Othello and The Tragedy of Mariam.

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11.00-11.30ConservatoryTea/Coffee

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11.35-12.55HallPanel Session (2A)11.35-12.55LoungePanel Session (2B)11.35-12.55Reading RoomPanel Session (2C)

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2A: Interpreting and Interpolating for Performance2B: Early Modern Religious Beliefs 2C: Beyond this Human Coil

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Moderator: Emily Burden [Powerpoint]Modetor: Todd Hennessey (Powerpoint)Moderator: Sarah Wingo

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Joy Leslie GibsonThe Shakespeare InstituteLady Macbeth: The DichotomyChloe PreedyUniversity of YorkTitus Andronicus and the religious division of Elizabethan EnglandAndy KessonUniversity of KentCupid what hast thou done?' The Career of the God of Love in Lyly's Lovely Plays

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Angela AldermanThe Shakespeare InstituteAn investigation of the ways in which acting and directorial choices for the role of Jessica can influence interpretations of Shylock.Sabrina RissingUniversity of VirginiaUncovering the Virgin in 'Tis Pity She's a Whore: The Dramatic and Religious Heritage of Ford's TragedyHannah AugustKings College LondonCharms of Powerful Trouble: A re-examination of the witch scenes in John Marston Sophonisba and Thomas Middleton's The Witch

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Alison StewartThe Shakespeare InstituteInterpolated Openings in Shakespearean Performance.Erin SullivanUniversity College LondonCases of Conflict: Religious Despair on the Early Modern StageStephanie SchnabelThe Shakespeare InstituteGhostly Revenge in (early) modern texts: Middleton's The Ghost of Lucrece and Hill's The Woman in Black

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13.00-14.00Common RoomLunch

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14.05-15.20HallPlenary Session: Gary Taylor (Florida State University)

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15.20 - 15.50ConservatoryTea/Coffee Break

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15.55-17.15HallPanel Session (3A)15.55 - 17.15LoungePanel Session (3B)

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3A: Shakespeare on Screen 3B: Space and Staging

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Moderator: Todd Hennessey (Powerpoint)Moderator: Kristin Hall [powerpoint]

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Sarah WingoThe Shakespeare InstituteBranagh's ShakespeareSara ThompsonThe Shakespeare InstituteThe Embattled Stages of Roxana and Messalina: A Case study of the ever-changing interpretations of evidence for original performance.

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Mary Margaret McRaeUniversity of EdinburghLovers in a Textual Moment: Encountering the Interrelation between the 16th and 20th century versions of Romeo and JulietGwilym JonesUniversity of SussexThus much show of fire': Storm and Spectacle in the Opening of the Globe.

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Elizabeth EacmenUniversity of EssexThe Film's the Thing: Duelling forces of elitism and entertainmentTe-Han YehThe Shakespeare InstituteUnwinding the thread: Space, props and the Queen's Men's Repertory

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17.30-ConservatoryChampagne Reception

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19.30-The Courtyard Theatre, WatersideThe Taming of the Shrew

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FRIDAY, 20 JUNE

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09.00-09.30LobbyRegistration

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09.30-10.25HallPanel Session (4A)09.30-10.25LoungePanel Session (4B)

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4A: Representing Early Modern Women4B: Lear in Adaptation

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Moderator: Adrienne ShevchukModerator: Emily Burden [powerpoint]

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Hanako EndoUniversity of BirminghamAll's Well That Ends Well: Helena as the Representation of an Early Modern LadyRemedio Perni LlorenteUniversity of MurciaCeci n'est pas King Lear: Shakespeare and Godard

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Luke MarappillilUniversity of KentThe Paradoxical Virgin in 1Henry VI.Carolyn BoxThe Shakespeare InstituteEdward Bond's Lear

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10.30-11.10HallPlenary: Sarah Stanton (Cambridge University Press)

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11.10-11.30ConservatoryTea/Coffee

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11.30-12.25HallPanel Session (5A)11.30-12.25LoungePanel Session (5B)11.30 - 12.25Reading RoomPanel Session (5C)

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5A: Renaissance Audiences5B: Objects on the Early Modern Stage5C: Shakespeare's 19th Century Afterlives 2

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Moderator: Andy KessonModerator: Lizz Ketterer [Powerpoint]Moderator: Emily Burden

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Johann Gregory and Alice LeonardCardiff UniversityAssuming the Gendered Gaze in Hamlet and Troilus and Cressida: Is there a woman in the audience?Sophie Leighton-KellyQueen Mary University, LondonMy Purse, my coffer and myself'Pete OrfordShakespeare InstituteMessrs Macready and Dickens present ‘The Unpromised End’ in King Lear

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Brian SchneiderUniversity of ManchesterSit, see and hear': Framing the Text in Shakespeare's TheatreJennifer YoungUniversity College LondonLook you get a book in your hand': The book as object in Shakespeare's playsKate HarveyTrinity College DublinFixing the 'Problem Plays' for children. Charles and Mary Lamb's Tales from Shakespear

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12.30 - 13.25HallPanel Session (6A)12.30 - 13.25LoungePanel Session (6B)

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6A: Metatheatrics in The Tempest6B: Nascent Texts: Early Manuscripts and First Editions

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Moderator: Sara Thompson [powerpoint]Moderator: Lizz Ketterer

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Bernadette CochraneUniversity of QueenslandWhat's past is prologue': Plays within plays within The TempestWill SharpeThe Shakespeare InstituteBurnt Offerings? - The Provenance of the Manuscript of The Blind Beggar of Bethnal Green

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Juan Franciso CerdaUniversity of MurciaThe (((audiovisual))) TempestJem BloomfieldUniversity of ExeterThe Printer and the Princess: The First Editions of Webster's The Duchess of Malfi and The Spanish Match

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13.25 - 14.25Common RoomLunch

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14.30 - 15.25HallPanel Session (7A)14.30 - 15.25LoungePanel Session (7B)14.30-15.25Reading RoomPanel Session (8C)

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7A: Editorial Practice7B: A Course of Ingenious Study: Education in the classroom and beyond7B: Constructions of Masculine and Feminine Roles in Shakespeare

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Moderator: Andy KessonModerator: Sarah Olive [Powerpoint]Moderator: Sara Thompson

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Natalie AldredUniversity of BirminghamCould one tango-mongo superficial cammileres with sushaunce?: Some Etymological Dilemmas in William Haughton's English-men for my moneyKristin HallThe Shakespeare InstituteBridging the Gap with Theatre: A Look at the RSC Learning Programs for School and UniversityDong-Ha SeoThe Shakespeare InstituteWhen Shakespeare Meets Military

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Kareen KleinUniversity of CambridgeEditing Early German ShakespeareMegan J. HennesseyUniversity College LondonBattling Bardicide: The Contentious Afterlife of Shakespeare in American Higher EducationSandy PetersonUniversity of NevadaGender and Nation in Shakespeare's Coriolanus

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15.30 - 16.00ConservatoryTea/Coffee

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16.05 - 17.25HallPanel Session (8A)16.05-17.25LoungePanel Session (8B)

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8A: Education and Shakespeare3A: Poets and Poems

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Moderator: Dominic Quigley [Powerpoint]Moderator: Lizz Ketterer [Powerpoint]

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Sarah OliveThe Shakespeare InstituteEducation, Shakespeare and Cultural ValueFaith DrazgaUniversity of St. AndrewsBenson's common context: Shakespeare's 1640 Poems vs. Contemporary Poetical Texts

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Aslom UllahKing's College LondonUniversality of Teaching Shakespeare: Primary and BeyondLucy RazzallUniversity of CambridgeInk-unabula: Coping with copiousness

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Arwen CaddyThe Shakespeare InstituteEducational Colouring In: Using Comic Book Shakespeare in the ClassroomPatricia GriffinSheffield Hallam UniversityIn search of William Sampson: 17th Century Poet and Playwright

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19.30 - Hall10th Anniversary Masked Ball

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SATURDAY, 21 JUNE

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09.00-09.30LobbyRegistration

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9.30-10.25HallPanel Session (9A)9.30 - 10.25LoungePanel Session (9B)9.30-10.25Reading RoomPanel Session (9C)

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9A: Parameters of Gender in Performance Practice9B: Multicultural/Intercultural9C: Bardolisation from the 18th century to today

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Moderator: Kristin HallModerator: Sarah Wingo [powerpoint]Moderator: Emily Burden

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Lizz KettererThe Shakespeare InstituteWomen and Music in the Repertory of the Admiral's MenYa-Hui HuangUniversity of Central LancashireWhose Authority it is? In terms of intercultural adaptationDominic QuigleyThe Shakespeare Institute18th Century Bardolatry

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Sarah DustagheerKing's College LondonThis is my Beatrice's Window, This is the chamber/ of my betrothed dearest' (The Dutch Courtesan II.i.1-3): Women in the Window at Blackfriars TheatreClaire BourneUniversity of PennsylvaniaThe RSC's Complete Works Festival in Multicultural BritainAdrienne ShevchukThe Shakespeare InstituteBardolatry on film

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10.25 - 10.45ConservatoryTea/Coffee

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10.45 - 12.05HallPanel Session (10A)10.45-12.05LoungePanel Session (10B)

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10A: Shakespeare and Monarchy10B: Shakespeare in Adaptation: Adapting for stage and page

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Moderator: Sarah Wingo [Powerpoint]Moderator: Adrienne Shevchuk [dvd player, projector, powerpoint]

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Briony FrostUniversity of ExeterTo th'monument': Shakespeare's Stage and James I - a player king?Yi-Hsin HsuUniversity College LondonShakespeare Adaptation as Political Debate: John Crowne's the Misery of Civil War

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Emine Seda CaglayanHacettepe UniversityIdentification with the idea of Kingship: The ideals of nationalism in the portrayal of Henry VEmily BurdenThe Shakespeare InstituteKilling Bill: The Cultural Value of Adapting Shakespeare

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Yu-Chun ChiangUniversity College LondonThe Pursuit of QueenshipWilliam SuttonThe Shakespeare InstituteSonnets from Page to Stage

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12.05 - 13.25HallPanel Session (11A)12.05 - 13.00LoungePanel Session (11B)

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12A: The Madness of Desire: Transgressing Sexual Boundaries11B: Shakespeare's Nineteenth Century Afterlives 2

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Moderator: Andy Kesson [Powerpoint]Moderator: Dominic Quigley [powerpoint]

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Amanda Di PonioUniversity of St. AndrewsWhy here's none but fools and madmen': Madness and the Plague of Desire in the Middleton and Rowley's The Changeling.Phillippa DenneyCharles University, PragueSeeing his own face in the glass': Caliban's Struggle for Existence in Victorian Visual Art

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Helen BarkerThe Shakespeare InstituteRape in Early Modern England: The Law, the critics and The Lawes Resolutions of Women's RightsAdam PutzThe University of WarwickA Raging Irish Audience': Cultural Politics and Shakespeare in Dublin, 1870-1900

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Allison RungStanford UniversityThe Victim Beatrice in The Changeling

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13.25 - 14.25Common RoomLunch

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14.30 - 16.00HallPlenary: Peter Holland, Russell Jackson, Kate McLuskie and Stanley Wells 'What is happening in Shakespeare Studies today?'

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16.00 - 16.20CoffeeConservatory

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16.25 - 17.20HallPanel Session (12A)16.25 - 17.45LoungePanel Session (12B)

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11A: Origins and Nurturance12B: Twelfth Night/Universal Humanism

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Moderator: Todd HennessyModerator: Kristin Hall [Powerpoint]

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Fionnuala O'NeillUniversity of EdinburghKnow Thyself: The Problem of Origins in King Lear, Hamlet and CymbelineSyed Zahid Ali ShahUniversity of KentThe Malvolio Syndrome: A Psychological Inquiry into human narcissism

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Liang-Tsu ChenNational Taiwan UniversityControversy over nurturance in the jacobean age: Shakespeare's Macbeth as a microcosmFlorence GinzburskyGoldsmith's College LondonTwelfth Night and the Self-Possessed Virgin

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Shelly Hsin-Yi HsiehThe Shakespeare InstituteWit and experience': Three Fools around the turn of the Century - Touchstone in As You Like It, Babulo in Patient Grissil and Feste in Twelfth Night'

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17.45 -HallClosing Address: Lizz and Emily

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18.00 - The Windmill PubFarewell Drinks

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