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. | Id | Haijin | Stanzas | Season | Kigo | Link | Theme 1: Transformation | Theme 2: Flatness | Theme 3: Colours | |
. | 1 | /vs | A crust of white becomes a sheet of dew — early morning. | Late Autumn | Frost | To 6: Frost / Snow | Frost to Dew | Lawn | White | |
. | 2 | /vs | Steamed mirror — she applies final touches of lipstick. | No Season | n/a | To 1: Morning; Dew / Steam | Cosmetic | Mirror | Red | |
. | 3 | /vs | His canvas depicts autumn colours — the essence barely captured. | Late Autumn | Autumn colours | To 2: Painted | Canvas; Landscape | Canvas; Landscape | Autumn colours | |
. | 4 | /vs | New jeans — that worn out look with rips and tears. | No Season | n/a | To 3: Canvass | Jeans | Cloth | Blue | |
. | 5 | /vs | Winterized garden — holes where veggies had grown. | Late Autumn | Winterized garden | To 4: Rip(s) / Holes | Garden | Garden | Black | |
. | 6 | /vs | The first snow blankets the yard — branches of rhubarb droop. | Late Autumn | First snow | To 5: Garden / Yard | Yard | Yard | White/Green | |
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. | Technical Notes: | | | | | | | | | |
. | 3. There is an artist's depiction of an autumn scene in this verse. Is it possible to really capture the essence of this experience? Is it not a difficult thing to accomplish, to capture this essence of the autumn feeling. The artist perhaps did so, but just barely, even though it may be a very excellent, remarkable picture. On the surface of the canvas, the painting faithfully reproduces the autumn colours, perhaps very well, but that essence of the autumn experience can only be barely captured (the light reflecting off the leaves, the smells, the cool breeze... these are some of things that constitute the full essence). | | | | | | | | | |
. | 4. A trend that's been around for a number of years is to buy jeans that have been already "worn". This is accomplished by washing them in sand and creating rips and tears as if the jeans had been worn for several years. | | | | | | | | | |
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. | Copyright © Masago 2007 (Vaughn Seward) — All rights reserved. | | | | | | | | | |